Showing 25 items matching dark paul
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Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Framed photo finish, Greg Matthews Photo, Dark Paul, 21 January 1994
... Dark Paul...dark paul...Dark Paul won the Bendigo Pacing Cup on the 21 January 1994... - Stawell Centre: Dark Paul (Paulsboro - Intrepid Pearl) / Cougar... goldfields Framed photo finish Photograph Dark Paul Two colour ...Dark Paul won the Bendigo Pacing Cup on the 21 January 1994, followed by Cougar and Aston Bow. Dark Paul owned by MJ Hanlan, was trained by AD Peace and driven by Mark Peace. Dark Paul raced from 1990 (2yo) through to 1995 (7yo). Career: 35 wins 22 seconds 5 thirds 90 starts.Two colour photographs, one small one large in a brown, black, gold frame. At the top: Bendigo Harness Racing 21-1-94/ 1994 SCN TV Bendigo Pacing Cup / C9 or Better At the bottom: Left corner: Distance 2700 metres/ Mile rate 2.03.7 / Greg Matthews Photos - Stawell Centre: Dark Paul (Paulsboro - Intrepid Pearl) / Cougar 2nd / Aston Bow 3rd Right corner: Owned by- MJ Hanlan/ Trained by AD Peace / Driven by Mark Peacebendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, 1994, dark paul, ad peace, mark peace, mj hanlan, cougar, aston bow -
Federation University Historical Collection
Photograph - Colour, Churchill Service Memorial, 2015
In recognition of its fallen soldiers and Churchill's 50th birthday a service memorial was erected on a concrete plinth at the Churchill town plaza and used for the first time to mark the ANZAC centenary on Anzac Day 2015. Churchill never had a war memorial and received a grant from the Department of Veterans' Affairs six years ago to commission a sculpture with Latrobe City Council's support. It was decided the sculpture needed to recognise more than just the war effort, but service and volunteerism, considering Churchill was only founded in 1965. (http://www.latrobevalleyexpress.com.au/story/2816903/churchills-new-memorial/, accessed 01 may 2015) Sculptor Paul Jesse discussed the work in Churchill and District Community news, 18 December 2014: Some time ago CDCA commissioned a sculpture to be used as a Service Memorial to commemorate the fallen that have died in service of our community and country. Traditional memorials usually commemorate Armed Services personnel, but CDCA was of the opinion that a more inclusive view which included Emergency Services personnel, such as CFA, SES and Police, could be incorporated into the Churchill Memorial. Boolarra artist, Paul Jesse, who is accomplished in Ferro-Cement sculpture techniques, was commissioned to create a memorial that would cause people to reflect on the meaning of ‘service’ and ‘sacrifice’. The following is a description of the Churchill Service Memorial Sculpture written by the sculptor, Paul Jesse. “My sculpture is different from most War Memorial sculptures because it uses as its basis the reasons why people go into service or to war. One side of the sculpture is colourful and optimistic; its theme is home, family, community and the future. These themes are crafted by flow lines which are connected to the other side of the sculpture through the round hole and the Crosspiece. These lines can be seen as a multi-layered connection between the sides. On the “dark” side of the sculpture, the lines begin with a spiral of coloured mosaics. This spiral is representative of our service people. Its beginning can be seen on one level as their soul. The spiralling mosaics of them flow to the other side of the sculpture where they create the landscape and figures. These lines can also be seen as a range of connectors between the two sides, representing a flow of thoughts, love, fear, concern and dreams. They also represent physical communication such as letters and phone calls.” This ‘Service Memorial’ is located in the Churchill Plaza (adjacent to the Town Hall), along with four flagpoles, seating and garden beds. The Churchill Service Memorial has deliberately been designed as a thought-provoking public art work. It will complement the Art and Culture Pathway which links Switchback Gallery at the Federation University Campus to the Town Centre. We hope Churchill citizens will pause to view the Memorial, ponder its meaning, reflect on the service of others and commemorate the fallen. Colour photograph on an abstract Australia-shaped sculpture by Boolarra artist Paul Jesse. The abstract Australia-shaped sculpture is in stark contrast to the bronze-cast "fallen mate" or concrete cenotaph seen in many country towns. The photograph includes wreaths from the ANZAC centenary service on ANZAC Day 2015. churchill, churchill war memorial, paul jessie, anzac centenary, federation university, gippsland, art and culture pathway, world war -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1963
The editor of the Ballarat School of Mines Students' Magazine for 1963 was T. Brauer. The President of the SRC was R. Coutts. The Eric McGrath Award is given to the student who distinguishes themselves in extra-curricular activities, with special emphais on work concerned with the Revue and School Magazine. The winner was selected by the executive of the Students' Representative Council.Orange soft covered booklet of 104 pages. Articles include: King Island, Look Back in Wonder, Journey into Darkness, The Sensible Enemy, Strictly for Girls, The pH Factor, Diploma Conferring Ceremony, Diplomas Conferred, Personality Tests and the Individual, Poison to Poison SMB Students' Revue, In Search of Truth, Gliding With the Birds, Income Tax, Newtonian Observations Extended, Friends, The Idealist View of Life, Rustling Rags, Where Mankind Has Failed, Sports report, School Council and Members of Staff listing, Roll Call, Images Include: Bob Coutts, Paul Pusari, Tony Brauer, Jemi Milbourne, Kerry Penna, Brian McLennan, Bob Grubb, John Davis, Netta Walta, Kevin Brady, Oscar Rogers, Kuo Yiew See, S. White, Anne Morrehouse, Gerry Liston, Bob Coutts, Gary Robert, Ray Megee, Pater Smith, Daila Berzins, Tony Brauer, Bob Grubb, Peter Donaldson, Don Yates Snippets include: Tony Brauer won the Eric McGrath Award; The R.W. Richards Medal was won by K.A Sculley in 1962.ballarat school of mines, kelvin whitford, greg hunter, ray megee, daila berzins, bob grubb, gary roberts, stephen drew, david bell, bob coutts, gerry liston, michael moissinac, neil mudge, arthur patterson, edward scull, eric mcgrath award, bobby ong, paul pusari, toby brauer, jeni melbourne, kerry penna, brian mclennan, john davis, netta walta, kevin crady, oscar rogers, kuo view see, anne moorehouse, robert grubb, peter donaldson, peter smith, geoogy demonstration, lake relay -
Federation University Historical Collection
Book, The ABC of Atoms, 1927
A dark blue cloth bound hard covered book of 176 pages.Stamped on the fly in blue - B.D.Gardnerthe abc of atoms, bertrand russell, chemisrty, physics -
Federation University Historical Collection
Book, Rotary International, Adventure in Service, 1957
Harry E. Arblaster was the principal of the Ballarat School of Mines from 1959 to 1964.Dark blue hard covered book, 63 pages, cream pages with black text, mostly black and white illustrations, with one coloured illustration opposite title page.Rotary International logo on front cover and fly leaf. This book is presented to Rotarian (in blue handwritten pen) Harry E. Arblaster, who starts his Adventure in service as a member of the Rotary Club of (in blue handwritten pen) Ballarat -on - 30th July 1959 - signed by REg Evans (president) and Charles Soper? (secretary)arblaster, rotary, adventure in service, paul p. harris, rotary international, , -
Ringwood and District Historical Society
Book, Mary A. Williams, Rotary in Ringwood 1969-1989, c. 1989
The History of the Rotary Club of Ringwood was written by Mary A. Williams, a retired journalist, living in Ringwood at the time. Her effort was acknowledged by the club awarding her a Paul Harris Award. Foreword by Brian Williams.Rotary in Ringwood 1969-1989. Pale blue covered book with darker blue printing. Rotary International wheel in centre. pp73. Photographs scattered throughout. +Additional Keywords: Williams, Mary A / Williams, Brian / Harris, PaulRotary in Ringwood 1969-1989 - The First 20 Years. Mary A. Williams -
Bendigo Military Museum
Programme - INVITATION, FRAMED, 22.3.1916
Robert Raymond O’DONAHOO No 1399 enlisted in the AIF in 2nd reinforcements to 14th Battalion on 19.10.1914 age 21 years 11 months. Embarked for Egypt 2.2.1915, embark for Gallipoli 12.4.1915, WIA 27.8.1915 GSW to left leg severe, admitted 4th Field Ambulance then to Mudros Island, admitted 3rd London General Hospital England 12.9.1915, leg amputated (appears to have been halfway between knee and ankle), embark for Australia 8.5.1916, discharged from the AIF 25.12.1916 medically unfit.Framed, wooden, dark lacquer within which is displayed 2 items mounted on red background: 1. Invitation card with Royal crest from the King & Queen to Pte O'Donahoo, Wednesday 22 March 1916. 2. Red ink, round cardboard disc - Buckingham Palace 1916.In text on back: “Paul O'Donahoo”documents - inviation, buckingham palace, o’donahoo -
Bendigo Military Museum
Book, Lieutenant Colonel A J Barker et al, Classic Aircraft of World War II, 1984
Classic Aircraft of World War II presents detailed profiles of the 6 most significant & dramatic aircraft of the greatest war in history: they are Stuka, Spitfire, B-17 Flying Fortress, Zero, P-51 Mustang & B-29 Super Fortress.Book, hard cover, dark blue buckram, gold print on spine. Dust cover with title in red & black print on front, back & spine. Illustrated in colour, numerous WWII aircraft on mid blue colour background. 400 cut pages illustrated, black & white & coloured photographs & diagrams.In black ink on front flyleaf: RSL Stampbooks, history, air force -
Warrnambool and District Historical Society Inc.
Book, Hodder and Staughton, The New Testament, 1934
The new testament is the second part of the Bible and records the teachings of Christ through the four gospels as well as the Acts of the Apostles and letters of St Paul as well as book of Revelations. It is commonly used as a book of inspiration and study within all Christian Churches. This particular copy was presented to James Cook in 1940 by the Hamilton Church of Christ Sunday School. The Cook family was also connected with the Warrnambool Church of Christ.This item has only a tenuous connection to Warrnambool and its history but is retained because of its connection to the Cook family.Dark grey cloth covered card cover with symbol of lamp in circle on front cover. Title in red on spine of book.388 pagesPresented to James Cook from the Church of Christ Sunday School Hamilton February 1940warrnambool, church of christ sunday school, james cook, -
Australian Queer Archives
Uniform - Textiles, Paul Costello's Dolphin Motor Club overlay, c.1980s-1990s, 1980s
This Dolphin Motor Club overlay was worn by Paul Costello in the late 1980s and early 1990s.Sleeveless blue denim jacket or overlay, with light and dark blue ribbon on the sleeve holes, with cotton patches and metal and enamel badges on the front, and a large club patch on the back.gay, motorcycle club -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Tatura Irrigation & Wartime Camps Museum
Cups - Wooden, 1940's
Sent from Germany by Elfriede & Paul Faig.2 solid dark wood cups made on the small lathe (no. 2955) or wood turning bench.tatura, camp 3, lathe, faig, p, kaltenbach, g, hermann, w, handcrafts, woodwork -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2009
Darkness and a little light: ?Race? and sport in Australia Colin Tatz (AIATSIS & Australian National University) and Daryl Adair (University of Technology Sydney) Despite ?the wonderful and chaotic universe of clashing colors, temperaments and emotions, of brave deeds against odds seemingly insuperable?, sport is mixed with ?mean and shameful acts of pure skullduggery?, villainy, cowardice, depravity, rapaciousness and malice. Thus wrote celebrated American novelist Paul Gallico on the eve of the Second World War (Gallico 1938 [1988]:9-10). An acute enough observation about society in general, his farewell to sports writing also captures the ?clashing colors? in Australian sport. In this ?land of the fair go?, we look at the malice of racism in the arenas where, as custom might have it, one would least want or expect to find it. The history of the connection between sport, race and society - the long past, the recent past and the social present - is commonly dark and ugly but some light and decency are just becoming visible. Coming to terms: ?Race?, ethnicity, identity and Aboriginality in sport Colin Tatz (AIATSIS & Australian National University) Notions of genetic superiority have led to some of the world?s greatest human calamities. Just as social scientists thought that racial anthropology and biology had ended with the cataclysm of the Second World War, so some influential researchers and sports commentators have rekindled the pre-war debate about the muscular merits of ?races? in a new discipline that Nyborg (1994) calls the ?science of physicology?. The more recent realm of racial ?athletic genes?, especially within socially constructed black athletic communities, may intend no malice but this search for the keys to their success may well revive the old, discredited discourses. This critical commentary shows what can happen when some population geneticists and sports writers ignore history and when medical, biological and sporting doctrines deriving from ?race? are dislocated from any historical, geographic, cultural and social contexts. Understanding discourses about race, racism, ethnicity, otherness, identity and Aboriginality are essential if sense, or nonsense, is to be made of genetic/racial ?explanations? of sporting excellence. Between the two major wars boxing was, disproportionately, a Jewish sport; Kenyans and Ethiopians now ?own? middle- and long-distance running and Jamaicans the shorter events; South Koreans dominate women?s professional golf. This essay explores the various explanations put forward for such ?statistical domination?: genes, biochemistry, biomechanics, history, culture, social dynamics, the search for identity, alienation, need, chance, circumstances, and personal bent or aptitude. Traditional games of a timeless land: Play cultures in Aboriginal and Torres Strait Islander communities Ken Edwards (University of Southern Queensland) Sports history in Australia has focused almost entirely on modern, Eurocentric sports and has therefore largely ignored the multitude of unique pre- European games that are, or once were, played. The area of traditional games, especially those of Aboriginal and Torres Strait Islander peoples, is an important aspect of the cultural, social and historical experiences of Indigenous communities. These activities include customs of play that are normally not associated with European notions of competitive sport. Overall, this paper surveys research undertaken into traditional games among Indigenous Australians, as well as proposals for much needed further study in this area. Culture, ?race? and discrimination in the 1868 Aboriginal cricket tour of England David Sampson As a consequence of John Mulvaney?s important historical research, the Aboriginal cricket and performance tour of Britain in 1868 has in recent decades become established as perhaps the most famous of all public events in contact history involving Aborigines, white settlers and the British metropolis. Although recognition of its importance is welcome and significant, public commemorations of the tour have enveloped the tour in mythologies of cricket and nation. Such mythologies have obscured fundamental aspects of the tour that were inescapable racial and colonial realities of the Victorian era. This reappraisal of the tour explores the centrality of racial ideology, racial science and racial power imbalances that enabled, created and shaped the tour. By exploring beyond cricketing mythology, it restores the central importance of the spectacular performances of Aboriginal skills without which the tour would have been impossible. Such a reappraisal seeks to fully recognise the often trivialised non-cricketing expertise of all of the Aboriginal performers in 1868 for their achievement of pioneering their unique culture, skills and technologies to a mass international audience. Football, ?race? and resistance: The Darwin Football League, 1926?29 Matthew Stephen (Northern Territory Archive Service) Darwin was a diverse but deeply divided society in the early twentieth century. The Commonwealth Government introduced the Aboriginals Ordinance 1911 in the Northern Territory, instituting state surveillance, control and a racially segregated hierarchy of whites foremost, then Asians, ?Coloureds? (Aborigines and others of mixed descent) and, lastly, the so-called ?full-blood? Aborigines. Sport was important in scaffolding this stratification. Whites believed that sport was their private domain and strictly controlled non-white participation. Australian Rules football, established in Darwin from 1916, was the first sport in which ?Coloured? sportsmen challenged this domination. Football became a battleground for recognition, rights and identity for all groups. The ?Coloured? community embraced its team, Vesteys, which dominated the Northern Territory Football League (NTFL) in the 1920s. In 1926, amidst growing racial tension, the white-administered NTFL changed its constitution to exclude non-white players. In reaction, ?Coloured? and Chinese footballers formed their own competition - the Darwin Football League (DFL). The saga of that colour bar is an important chapter in Australia?s football history, yet it has faded from Darwin?s social memory and is almost unknown among historians. That picture - Nicky Winmar and the history of an image Matthew Klugman (Victoria University) and Gary Osmond (The University of Queensland) In April 1993 Australian Rules footballer Nicky Winmar responded to on-field racist abuse by lifting his jersey and pointing to his chest. The photographic image of that event is now famous as a response to racial abuse and has come to be seen as starting a movement against racism in football. The racial connotations in the image might seem a foregone conclusion: the power, appeal and dominant meaning of the photograph might appear to be self-evident. But neither the fame of the image nor its racial connotation was automatic. Through interviews with the photographers and analysis of the use of the image in the media, we explore how that picture came to be of such symbolic importance, and how it has remained something to be re-shown and emulated. Rather than analyse the image as a photograph or work of art, we uncover some of its early history and explore the debates that continue to swirl around its purpose and meaning. We also draw attention to the way the careful study of photographs might enhance the study of sport, race and racism. ?She?s not one of us?: Cathy Freeman and the place of Aboriginal people in Australian national culture Toni Bruce (University of Waikato) and Emma Wensing (Independent scholar) The Sydney 2000 Olympic Games generated a national media celebration of Aboriginal 400 metre runner Cathy Freeman. The construction of Freeman as the symbol of national reconciliation was evident in print and on television, the Internet and radio. In contrast to this celebration of Freeman, the letters to the editor sections of 11 major newspapers became sites for competing claims over what constitutes Australian identity and the place of Aboriginal people in national culture. We analyse this under-explored medium of opinion and discuss how the deep feelings evident in these letters, and the often vitriolic responses to them, illustrate some of the enduring racial tensions in Australian society. Sport, physical activity and urban Indigenous young people Alison Nelson (The University of Queensland) This paper challenges some of the commonly held assumptions and ?knowledges? about Indigenous young people and their engagement in physical activity. These include their ?natural? ability, and the use of sport as a panacea for health, education and behavioural issues. Data is presented from qualitative research undertaken with a group of 14 urban Indigenous young people with a view to ?speaking back? to these commentaries. This research draws on Critical Race Theory in order to make visible the taken-for-granted assumptions about Indigenous Australians made by the dominant white, Western culture. Multiple, shifting and complex identities were expressed in the young people?s articulation of the place and meaning of sport and physical activity in their lives. They both engaged in, and resisted, dominant Western discourses regarding representations of Indigenous people in sport. The paper gives voice to these young people in an attempt to disrupt and subvert hegemonic discourses. An unwanted corroboree: The politics of the New South Wales Aboriginal Rugby League Knockout Heidi Norman (University of Technology Sydney) The annual New South Wales Aboriginal Rugby League Knockout is so much more than a sporting event. Involving a high level of organisation, it is both a social and cultural coming together of diverse communities for a social and cultural experience considered ?bigger than Christmas?. As if the planning and logistics were not difficult enough, the rotating-venue Knockout has been beset, especially since the late 1980s and 1990s, by layers of opposition and open hostility based on ?race?: from country town newspapers, local town and shire councils, local business houses and, inevitably, the local police. A few towns have welcomed the event, seeing economic advantage and community good will for all. Commonly, the Aboriginal ?influx? of visitors and players - people perceived as ?strangers?, ?outsiders?, ?non-taxpayers? - provoked public fear about crime waves, violence and physical safety, requiring heavy policing. Without exception, these racist expectations were shown to be totally unfounded. Research report: Recent advances in digital audio recorder technology provide considerable advantages in terms of cost and portability for language workers.b&w photographs, colour photographs, tablessport and race, racism, cathy freeman, nicky winmar, rugby league, afl, athletics, cricket, digital audio recorders -
Uniting Church Archives - Synod of Victoria
Photograph, Rev Paul C Blacker, 1987-1988
... wearing a dark jumper and glasses. Paul Blacker left school at 15 ...Paul Blacker left school at 15 to start a printing apprenticeship, he then entered Otira obtained his HSC & Local Preachers Certificate was a lay preacher at Moonee Ponds in 1977, Ordained 1988, First ministry was Daylesford from 01/88 to 08/91, Eaglehawk 09/91 to 09/97, Presbytery Minister for the Loddon-Campaspe Presbytery, Synod of Victoria & Tasmania placement; Minister of Hoppers Crossing UC; Minister of Melton UC. Chairperson of Port Phillip West Presbytery.B & W waist length photograph of Rev. Paul C. Blacker wearing a dark jumper and glasses.rev paul c blacker, port phillip presbytery, loddon-campaspe presbytery -
Uniting Church Archives - Synod of Victoria
Certificate - Methodist Order of Knights, Charter Court N.E. Goulburn Valle District Court
This is the Charter for N.E.Goulburn Valley District Court dated 16th November 1957. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Card Methodist Church of Australasia Methodist Order of Knights Charter with the MOK symbol at the top and brown decorative border and blue text."N.E.Goulburn Valley District Court" "16th November 1937" "Paul A Conde" methodist order of knights n.e. goulburn valley district court, paul a conde -
Heidelberg Theatre Company Inc..
Memorabilia - Program, Photos, Reviews, Newsletter, The Effects of Gamma Rays on Man-in-the-Moon Marigolds by Paul Zindel directed by Bill Cherrey
Stella Dunn played Nanny, a senile old woman, in 'Gamma Rays' in April 1976 when she was a sprightly 82 year old.1. - Program - Jade coloured card with dark blue typeface, 2. - Photos -photographic paper. 3. - Review - photocopy paper. 4. - Roneod duplicate on foolscap paper.2. - Typed information on Stella Dunn glued onto the back of the photo, reverse side of photo has typed paper glued on as well as remnants of masking tape 3. - Photocopy of a review of The Effects of Gamma Rays on Man-in-the-Moon Marigolds on page 6 of the VDL (Victorian Drama League) newsletter 'Theatrecraft' April 1976. Includes photo of Sue Lukis as Tillie. 4. - Prompts Newsletter No 2 19th March, 1976. – Typed. Includes information on next production, reminders of happenings and forthcoming events and the Moomba Drama Festival results 1976, 170, bill cherrey - director, fred merryweather - set construction, michael bond - lighting, george bugge - sound, max brooks - photography, cast - stella dunn -
Melbourne Legacy
Decorative object - Lamp, Legacy Torch, 1973
An electric lamp in the shape of the Legacy Torch with an orange glass flame. It was dedicated in a church service at St Paul's Cathedral in October 1973 as part of the 50th Anniversary of Legacy celebrations. At the Jubilee dinner afterwards several copies were given out to Legacy branches as in photo number 00452 (copy attached).A record that the torch emblem is highly revered and celebrated by the commissioning of a unique piece for Legacy Clubs in the 1970s.Gold coloured torch symbol made into an electric lamp on a wooden base with an orange glass flame. It has a white switch on the dark varnished wooden base and an electric cord about 2 metres long.Paper note found with the torch said it was dedicated in St Pauls on 7 October 1973 as part of the 50th anniversary.golden jubilee, 50th anniversary, torch -
Linton and District Historical Society Inc
Photograph, Laying Foundation Stone, St. Paul's Sunday School, Linton, 1909
Black and white image of a large crowd of people watching as a foundation stone is laid in the brickwork of a building under construction. The crowd consists of men, women and children with buildings in the background. Bishop Green is next to the two men who are laying the stone. The image has been mounted on dark grey card.buildings, sunday schools, churches, mrs. bolte, bishop green, parish halls -
Kiewa Valley Historical Society
Photo - Cleve Cole
This photo depicts the rescue of three local skiets that became trapped on Mt Bogong during a blizzard and became known as the Cleve Cole tragedy . Mick Hull Howard Michell and Cleve Cole where skiing on Mt Bogong and could not find their way off the mountain via Staircase Spur due to Blizzard conditions and ended up in the Mitta Valley. Howard Michell walked to the Battys farm to get help for his weak and injured friends. Cleve Cole died shortly after arriving at Omeo hospital. This photo is historically significant as it tells the rescue story of this tragedy. The photos are of the people involved which add to the story. Mt Bogong Victoria's highest mountain is accessed from the Kiewa Valley and near by high plains and over shadows Mt Beauty township therefore is a local story. The photo comes from the rescue party which is a rare photo and thus has great interpretive capacity . The skiing history is one of KVHS main themes and this photo is part of our Skiing Across Country exhibitionBlack and white photo of several men in the bush near Mt Bogong. Photo is glued on to cardboard with a dark grey border and light grey wider border on the outside.Handwritten on back "The Discovery of Cleve Cole / up the Big River (Below Paddy's Flat) / Cole is arrowed / Cyril Rootsey / Jack Batty / Bill Batty / Paul? Bitner / Tom Fitzgerald / Etc. / (I think dad is the one with his hand up to his face)" Back - red stamp - "Herald Feature / Service / Melbournecleve cole. mt bogong. big river. paddy's flat. -
Warrnambool and District Historical Society Inc.
Book - The Holy Bible, Late 19th Century
A King James version of the Bible presented to the Allansford Congregation in 1881 by J H Atkinson who was a chemist from 1848 to 1876 on the corner of Sackville and Bank Streets Port Fairy . In January 1878 he opened a pharmacy in partnership with Warrell in the Apothecaries Hall in Timor Street. Rev. Swinburn was an assistant at St Paul’s Church in 1880.St Paul’s Church, Allansford opened in 1882 and this donation would have been one of the earliest donations to the congregation.Olive green/ brown leather cover with imprinted rectangular pattern on front and back covers. Spine has Holy Bible in gold lettering. It has dark blue ribbon page marker and gold on edges of pages.Presented to the Church of England Allansford by J.H Atkinson, Warrnambool, September 1881. Also letter from Mr Atkinson to Rev. Swinburn.allansford, st paul's allansford, j h atkinson, rev swinburn, bible, 1881 -
Glenelg Shire Council Cultural Collection
Book, Edited by Paul N. Hasluck, 'Leather Working' 'Work' Handbook, c. 1904
Book, hardcover, pale blue, red print on cover and spine, dark blue and red decoration on front cover, Cassell & Company Limited logo on back cover, dark blue. 160 pages plus advertisements for other 'Work' handbooks and industry magazines -
Bendigo Military Museum
Photograph - Army Survey Regiment - Defence Force Service Medal Presentations, Fortuna Villa, Bendigo, 1995
These nine photographs of a CO’s Parade were taken on the 6th of December 1995 at the Army Survey Regiment, Fortuna, Bendigo. On this occasion CO LTCOL Duncan Burns presented the Defence Force Service Medal to SSGT Stephen Hill OAM CSM, SGT Stuart Ridge, SGT Peter Peterson and CPL Eric Nicolson for 15 years of efficient remunerated service in the Australian Army.This is a set of nine photographs taken at the CO’s Parade at the Army Survey Regiment, Fortuna, Bendigo, on the 6th of December 1995. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, 1995. RSM WO1 Ken Johnston OAM MM. .2) - Photo, black & white, 1995. L to R: CAPT Tony Harder – UK Exchange Officer, CAPT Doug Arman. .3) - Photo, colour, 1995. L to R: WO2 Paul Leskovec CSM, unidentified, WO2 Kevin Kennedy, SSGT Peter Curtis, CPL John ‘JJ’ Smith, SGT Peter Peterson, CAPT Tony Harder (foreground), unidentified, SSGT Stephen Hill OAM CSM, CAPT Doug Arman (foreground). .4) - Photo, colour, 1995. L to R: MAJ Mick Banham, RSM Ken Johnston OAM MM, CAPT Tony Harder, QM CAPT Bill Griggs, SSGT Peter Curtis CPL John ‘JJ’ Smith, unidentified, SGT Peter Peterson, ADJT CAPT Brenton McDonald, CAPT Doug Arman, SSGT Stephen Hill OAM CSM, remainder unidentified. CAPT Bin Fashar Sutimin – Indonesian Exchange Officer in dark green uniform with gold lanyard. .5) - Photo, colour, 1995. L to R: CAPT Bin Fashar Sutimin – Indonesian Exchange Officer in dark green uniform with gold lanyard, unidentified (x5) SSGT Bob Thrower, unidentified SGT Peter Tuddenham, remainder unidentified. .6) - Photo, colour, 1995. L to R: RSM Ken Johnston OAM MM, ADJT CAPT Brenton McDonald, WO2 Pat Lumsden (partially obscured), CO LTCOL Duncan Burns. Defence Force Service Medal recipient - SSGT Stephen Hill OAM CSM. .7) - Photo, colour, 1995. L to R: WO2 Pat Lumsden (partially obscured), CO LTCOL Duncan Burns. Defence Force Service Medal recipient – SGT Stuart Ridge. .8) - Photo, colour, 1995. L to R: CO LTCOL Duncan Burns. Defence Force Service Medal recipient – CPL Eric Nicolson. .9) - Photo, colour, 1995. L to R: WO2 Pat Lumsden, CO LTCOL Duncan Burns. Defence Force Service Medal recipient – SGT Peter Peterson..1P to.9P – The occasion and date are annotated on the plastic sleeve and the back of the photos.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
Clunes Museum
Book
Dark green, with corner triangles of maroon, hard covered journal book containing sheet music. Handwritten index in black ink on first pagesheet music, weickhardt, w paul -
National Wool Museum
Painting, Stanley Couzens, Ceremonial Hunting Grounds in the You Yangs, 1993
Stanley Couzens, a Gunditjmara man and long-time Geelong resident, painted this story upon commission from the Geelong Wool Combing Company. It depicts hunting in the You Yangs, the distinctive granite peaks that overlook the region. In 1993, Couzens’ painting was translated into a pattern by textile designer Jenifer McMahon. It was then turned into a jumper using wool sourced entirely from the region. It was fully processed, from fleece to fabric, in Geelong. The jumper was given to attendees at the opening of the Geelong Wool Combing company on 10 December 1993. Among the many guests, was the Prime Minister Paul Keating. The painting was acquired with the permission of the Couzens family.Framed acrylic painting on board, showcasing the You Yangs mountain range, people, and local flora and fauna in warm earth tones. The painting is signed 'S. Couzens 93' in the bottom right hand corner. The painting is framed in a dark wooden frame.Bottom right corner - 'S. Couzens 93'you yangs, gunditjmara, aboriginal art, jenifer mcmahon, design, geelong wool combing company, jumper -
Federation University Historical Collection
Book - Catalogue, End. Bachelor of Communication Design 2016, 2016
In this catalogue / Zine, students are responding to the theme of "End". Students: Nathan Burke, Leroy Cassar, Steven Curcio, Shaun Dewitte, Shayla Gibson, Joe Halliwell, Nikki Luitjes, Stephanie Martin, Claudia Prendergast, Adam Trethowan, Cheyenne Monaghan, Caitlin Wytkamp. 12 students. Thank you to lecturers and supporters, Alistair Heighway, Ben Mangan, Chrissie Smith, Claire Blake, Debbie Hill, Ewen Ross, Jason Grace, Jimmy Pasakos, John McDonald, Justin Weyers, Paul Mah, Peter Gaulke, Peter Pilven, Phillip Berry, Roberta Crisci-Richardson, Sam Harmer, Travis Price. Thank you to final year staff, Ben Mangan, Chrissie Smith, Nicholas Mau, Peter Gaulke, Phillip Berry.Promotional catalogue created by Federation University third year, graduating students, 2016. 24pp full colour text pages and 4pp saddle stitched cover (printed dark orange and blue), uncoated stock.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, nathan burke, leroy cassar, steven curcio, shaun dewitte, shayla gibson, joe halliwell, nikki luitjes, stephanie martin, claudia prendergast, adam trethowan, cheyenne monaghan, caitlin wytkamp, alistair heighway, ben mangan, chrissie smith, claire blake, debbie hill, ewen ross, jason grace, jimmy pasakos, john mcdonald, justin weyers, paul mah, peter gaulke, peter pilven, phillip berry, roberta crisci-richardson, sam harmer, travis price